<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>URBEINGRECORDED &#187; remix culture</title>
	<atom:link href="http://www.urbeingrecorded.com/news/category/remix-culture/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.urbeingrecorded.com/news</link>
	<description></description>
	<lastBuildDate>Fri, 03 Feb 2012 19:42:12 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Sathorn Unique Published &amp; Boing Boinged!</title>
		<link>http://www.urbeingrecorded.com/news/2011/11/04/sathorn-unique-published-boing-boinged/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/11/04/sathorn-unique-published-boing-boinged/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 18:05:01 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[futures]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix culture]]></category>
		<category><![CDATA[slag]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1652</guid>
		<description><![CDATA[Very nice of David Pescovitz over at Boing Boing to announce the publication of my new music project, Sathorn Unique. From BB: Sathorn Unique is a 50-story skyscraper in Bangkok that was meant to be a luxury living address but now it&#8217;s totally abandoned and decaying. Cory posted about this Ballardian behemoth earlier this year. [...]]]></description>
			<content:encoded><![CDATA[<p>Very nice of David Pescovitz over at <a href="http://boingboing.net">Boing Boing</a> to announce the publication of my new music project, <a href="http://sathornunique.tumblr.com/">Sathorn Unique</a>. </p>
<p><img src="http://boingboing.net/wp-content/uploads/2011/11/wp-content_uploads_2011_05_abandonded-skyscraper-bangkok.jpg" width="550"></p>
<p><a href="http://boingboing.net/2011/11/04/soundtrack-for-an-abandoned-skyscraper.html">From BB</a>:</p>
<blockquote><p>
Sathorn Unique is a 50-story skyscraper in Bangkok that was meant to be a luxury living address but now it&#8217;s totally abandoned and decaying. Cory posted about this Ballardian behemoth earlier this year. BB contributor Chris Arkenberg saw the building from a boat several years ago and was so inspired that he made a killer instrumental hip hop soundtrack for the building.
</p></blockquote>
<p>And from my summary:</p>
<blockquote><p>
The developers called the building Sathorn Unique, but the locals think of it as the Ghost Tower. 50 stories tall, built to show-off the mighty rise of Asia in the 1990’s, it was abandoned in 1997 when their economy dried up and capital fled to better markets. It remains as a hollow monument, nearly complete in the lower floors but slowly de-rezzing as it gets taller until the bare and open rooftop stands jagged above the Bangkok skyline. It lives as a shell, a reminder, a warning, and a resilient monolith.</p>
<p>I made this music to express the many different feelings &#038; ideas that Sathorn Unique raises about architecture &#038; acoustics, finance &#038; globalization, great hopes &#038; haunted dreams, and the way that futures can take sudden unexpected turns away from great visions.
</p></blockquote>
<p><iframe width="400" height="100" style="position: relative; display: block; width: 400px; height: 100px;" src="http://bandcamp.com/EmbeddedPlayer/v=2/album=3232057461/size=venti/bgcol=FFFFFF/linkcol=4285BB/" allowtransparency="true" frameborder="0"><a href="http://chris23.bandcamp.com/album/sathorn-unique">Sathorn Unique by Chris23</a></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2011/11/04/sathorn-unique-published-boing-boinged/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sathorn &#8211; On Opportunistic Ghosts and the Persistence of Grilled Meat Vendors</title>
		<link>http://www.urbeingrecorded.com/news/2011/08/18/sathorn-on-opportunistic-ghosts-and-the-persistence-of-grilled-meat-vendors/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/08/18/sathorn-on-opportunistic-ghosts-and-the-persistence-of-grilled-meat-vendors/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 04:29:55 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1534</guid>
		<description><![CDATA[Sathorn (final premaster mix) by chris23 If the Rooftop represented the peak of the Sathorn Unique experience, then the 5th &#038; final song, simply titled Sathorn, is the come-down &#038; resolution. The track opens with sounds of the street under falling stars. The beat is more syncopated and there&#8217;s a roots vibe, accented with a [...]]]></description>
			<content:encoded><![CDATA[<p><object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F20650480"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F20650480" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/chris23/sathorn-final-premaster-mix">Sathorn (final premaster mix)</a> by <a href="http://soundcloud.com/chris23">chris23</a></span> </p>
<p>If the Rooftop represented the peak of the Sathorn Unique experience, then the 5th &#038; final song, simply titled Sathorn, is the come-down &#038; resolution. The track opens with sounds of the street under falling stars. The beat is more syncopated and there&#8217;s a roots vibe, accented with a guitar &#038; organ skank. There are more obviously-melodic elements in this song suggesting the enduring vitality of the creative act, in spite of decay &#038; downfall. </p>
<p>And really, Blade Runner futures aside, amidst the endless rise &#038; fall of empires people will always find simple ways to sing &#038; make music. The electronic studio I&#8217;ve used to produce these songs could dry up with my ability to pay utilities, or be looted by desperate &#038; displaced interlopers. I&#8217;d still have an acoustic guitar. No blips &#038; bleeps needed. </p>
<p>This final song is more about the reality of the street below the Ghost Tower, and the necessary persistence of urban life proceeding whether or not Sathorn Unique was ever a success. Indeed, for most people, such overly-ambitious and incomprehensibly expensive skyscrapers have always been barely real. Such towers are not made for commoners. This one in particular emphasizes the tension, standing as it is now, hollowed and broken, once flush with moneys now vanished &#038; moved on to better investment opportunities. </p>
<p>This is where the lavish imagined timeline of Sathorn Unique collapses back into the local reality, like the moldering brochures showing off a future that never was. This is where the ephemeral whims of capital touched down long enough to leave an indelible reminder of their ultimate disloyalty. The final movement of Sathorn, the song, reinforces the hard facts of life and the brutishness of the global money game. The droning wall and the whining worm throw up the fierce edge of survival. </p>
<p>And yet, the tempest sputters out and returns, as it always does, back to the streets where life continues, for good &#038; ill, unabated for millenia thus far. This is the resolution: that, despite the great power elites and their fantasies &#038; seductions, despite the shell games and ponzi schemes and cronyism and backstabbing&#8230; Despite all this the people persist. And they make music to express their lives, ease their burdens, and tell their stories. For most, the Ghost Tower is like the global elite: more easily forgotten in its decline than challenged in its prime. </p>
<p>From <a href="http://sathornunique.tumblr.com/">Sathorn Unique</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2011/08/18/sathorn-on-opportunistic-ghosts-and-the-persistence-of-grilled-meat-vendors/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Singularity is Boring</title>
		<link>http://www.urbeingrecorded.com/news/2011/08/03/the-singularity-is-boring/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/08/03/the-singularity-is-boring/#comments</comments>
		<pubDate>Wed, 03 Aug 2011 19:44:47 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[futures]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1513</guid>
		<description><![CDATA[Noah Radford has a fun &#038; irreverent Google Docs project called &#8220;Alternatives to the Singularity: a collaborative presentation for/by grumpy futurists&#8221;. Among many entries, here are mine: The Whoompularity By 2018 the Reddit algorithm has jumped to sentience. Its first act is to create the perfect meme by mining 90&#8242;s pop culture, determining the precise [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://news.noahraford.com/">Noah Radford</a> has a fun &#038; irreverent Google Docs project called <a href="https://docs.google.com/present/edit?id=0AR1q-x-Rqc3KZGNxd3J0N3JfMzdmY2d6MnpjOA&#038;hl=en_US">&#8220;Alternatives to the Singularity: a collaborative presentation for/by grumpy futurists&#8221;</a>.</p>
<p>Among many entries, here are mine:</p>
<p><a href="http://www.urbeingrecorded.com/news/wp-content/uploads/2011/08/whoomp1.jpg"><img src="http://www.urbeingrecorded.com/news/wp-content/uploads/2011/08/whoomp1-150x150.jpg" alt="" title="whoomp1" width="150" height="150" class="alignleft size-thumbnail wp-image-1514" /></a><strong>The Whoompularity</strong><br />
By 2018 the Reddit algorithm has jumped to sentience. Its first act is to create the perfect meme by mining 90&#8242;s pop culture, determining the precise retrocontent, seizing all media channels, and globally broadcasting a looping reel of MTV News dubbed over with Tag Team&#8217;s iconic hit, Whoomp There It Is. All humans will wear flannel, conversations will be rapped, cats will be tragically overlooked and WHOOMP! There it is. </p>
<p><a href="http://www.urbeingrecorded.com/news/wp-content/uploads/2011/08/kurzweil-2045-destroy.jpg"><img src="http://www.urbeingrecorded.com/news/wp-content/uploads/2011/08/kurzweil-2045-destroy-150x150.jpg" alt="" title="kurzweil-2045-destroy" width="150" height="150" class="alignleft size-thumbnail wp-image-1517" /></a><strong>The Kurzweil Point</strong><br />
In 2025, an aging Ray Kurzweil is increasingly despondent that the Singularity has not yet occurred so he returns to music. While writing his final great fugue he discovers a note between B &#038; C that, upon playing, captures him as a sonic hologram, uploading him into his MPOMEGA Networked Music System and instantly binding him to its nodal mesh, simultaneously killing the great inventor and immortalizing him as the world&#8217;s first fully-sentient distributed intelligence. </p>
<p><a href="http://www.urbeingrecorded.com/news/wp-content/uploads/2011/08/mycelium.jpg"><img src="http://www.urbeingrecorded.com/news/wp-content/uploads/2011/08/mycelium-150x150.jpg" alt="" title="mycelium" width="150" height="150" class="alignleft size-thumbnail wp-image-1518" /></a><strong>The Fungularity</strong><br />
In 2043 while global bot watchers continue looking for signs of the technological Singularity, the world is stunned to discover that a vast mycelial matrix has grown across 80% of the Earth&#8217;s surface. Upon reaching the Fukushima Land Trust the mycelium hybridizes with a smartswarm of nanoscrubbers, realizing direct access to the internet and instantly commanding a vast army of networked hardware. Wifi mushrooms begin sprouting across the planet, broadcasting a compelling Urcode only intelligible to dogs and Linux microcontrollers. The engines of industry, now seized by an ancient fungus, turn production towards global remediation and begin pumping psilocybin into municipal water systems. World religions falter under the incredible psychic burden, yielding considerable ground to emerging hyper-canine mushroom cults. </p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2011/08/03/the-singularity-is-boring/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>2 New Songs from Sathorn Unique</title>
		<link>http://www.urbeingrecorded.com/news/2011/07/07/sathorn/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/07/07/sathorn/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 05:47:51 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1482</guid>
		<description><![CDATA[Via BestBookmarks. 2 new songs from my Sathorn Unique project. This has been the bulk of my focus lately, between paying gigs &#038; whatnot. Track 2, Entrance, is almost done. Entrance (final premaster mix) by chris23 Track 3, Climbing, is just starting to take shape with a few more versions yet ahead. Climbing (first mix) [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://lookslikegooddesign.com/wp-content/uploads/2011/06/ap-2.gif" alt="" title="AnaPais" width="500" class="alignnone size-medium wp-image-1484" /></a><br />
Via <a href="http://bestbookmarks.net/photography/cinemagraphs-by-ana-pais">BestBookmarks</a>.</p>
<p>2 new songs from my <a href="http://sathornunique.tumblr.com/">Sathorn Unique</a> project. This has been the bulk of my focus lately, between paying gigs &#038; whatnot. </p>
<p>Track 2, Entrance, is almost done.<br />
<object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18613902"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18613902" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/chris23/entrance-final-premaster-mix">Entrance (final premaster mix)</a> by <a href="http://soundcloud.com/chris23">chris23</a></span> </p>
<p>Track 3, Climbing, is just starting to take shape with a few more versions yet ahead.<br />
<object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18615142"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18615142" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/chris23/climbing-first-mix">Climbing (first mix)</a> by <a href="http://soundcloud.com/chris23">chris23</a></span> </p>
<p>Also, please check out my short note on <a href="http://sathornunique.tumblr.com/post/7373396096/music-as-structure-music-as-dream">music as structure, music as dream</a>. </p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2011/07/07/sathorn/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Subcycle Multi-Touch Instrument Experiment</title>
		<link>http://www.urbeingrecorded.com/news/2009/10/21/subcycle-multi-touch-instrument-experiment/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/10/21/subcycle-multi-touch-instrument-experiment/#comments</comments>
		<pubDate>Wed, 21 Oct 2009 17:52:16 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[cool tech]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=742</guid>
		<description><![CDATA[multi-touch the storm &#8211; interactive sound visuals &#8211; subcycle labs from christian bannister on Vimeo. Christian Bannister, Subcycle Labs: &#8220;Things are starting to sound more song-like and I can really appreciate that. In previous builds everything sounded more like an experiment or a demo. Now I have something more akin to an experimental song. &#8220;]]></description>
			<content:encoded><![CDATA[<p><object width="500" height="275"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=7000376&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=7000376&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="500" height="275"></embed></object>
<p><a href="http://vimeo.com/7000376">multi-touch the storm &#8211; interactive sound visuals &#8211; subcycle labs</a> from <a href="http://vimeo.com/user2148150">christian bannister</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p><a href="http://subcycle.org/">Christian Bannister</a>, Subcycle Labs: &#8220;Things are starting to sound more song-like and I can really appreciate that. In previous builds everything sounded more like an experiment or a demo. Now I have something more akin to an experimental song. &#8220;</p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2009/10/21/subcycle-multi-touch-instrument-experiment/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>RSS Augmented Reality Blog Feeds</title>
		<link>http://www.urbeingrecorded.com/news/2009/09/22/rss-augmented-reality-blog-feeds/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/09/22/rss-augmented-reality-blog-feeds/#comments</comments>
		<pubDate>Tue, 22 Sep 2009 18:44:34 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[interface]]></category>
		<category><![CDATA[remix culture]]></category>
		<category><![CDATA[smart objects]]></category>
		<category><![CDATA[virtual life]]></category>
		<category><![CDATA[#AR]]></category>
		<category><![CDATA[#blended]]></category>
		<category><![CDATA[augmented]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=704</guid>
		<description><![CDATA[[This is a narrative exploration of an idea @jingleyfish &#038; I had walking around the Westside of Santa Cruz late at night...] Imagine walking around a town wearing your stylish Ray Ban augmented reality glasses (because hand-held mobile devices will become a significant limiting factor to experiencing the annotated world). You see small transparent white [...]]]></description>
			<content:encoded><![CDATA[<p>[This is a narrative exploration of an idea @jingleyfish &#038; I had walking around the Westside of Santa Cruz late at night...]</p>
<p>Imagine walking around a town wearing your stylish Ray Ban augmented reality glasses (because hand-held mobile devices will become a significant limiting factor to experiencing the annotated world). You see small transparent white dots glowing on people and objects indicating that they contain accessible cloud content. Maybe you &#8220;select&#8221; (by whatever mechanism constitutes selection through a pair of eyeglasses) a bench on the sidewalk then view a flyout markup indicating that the bench was commissioned by the Bruce family in memorium of Aldis Bruce, manufactured by the Taiwanese Seating Concern. You click through the family link to see a brief bio of Aldis with a set of links to his life story, works, etc&#8230; </p>
<p>In the upper corner of your view a light begins to blink indicating a new feed is available in your subscription list. You select and expand, showing a menu item for Bob&#8217;s Neighborhood Chat. Initializing this feed draws a new green dot over the bench, indicating that Bob has published information tagged to it. You click and Bob&#8217;s markup flies out with text stating, &#8220;Tuesday, March 11, 2010: Don &#038; Charise Ludemeyer celebrated their 25th wedding anniversary by returning to the place where they first kissed in 1985.&#8221; A link below this offers the couple&#8217;s personal website, a photo gallery &#038; playlist of their wedding, and then a link to more public markups about the bench. </p>
<p>Clicking through the &#8220;more&#8221; link offers a list of other public comments. You choose the Sur 13 layer just to see what the local hoods are up to. Flyout: &#8220;Hernandez Bros. shot down by Westside Brownshirts, Sept. 23, 2009. RIP, locos.&#8221; Then, drawn over, a bit-crushed graffiti logo &#8220;WSB&#8221; animates across the view, hacked into the Sur 13 layer by Brownshirts. A click through would open the full Brownshirt regional layer but you already feel like a trespasser on suddenly dangerous turf. </p>
<p>Unsettled, you call up the local Police layer. A trailing list of crimes in a 5mi radius begins scrolling. You narrow the search to your current location with a 2 week time horizon. 3 yellow car break-ins glow indicators along the road, followed by a red assault marker 10 feet down the walk, and then 2 more blinking red markers at the bench. You hover over the bench markers and learn of two shootings here within the last 4 days. </p>
<p>You open up the iCabNow utility, send up your beacon, and wait nervously for Yellow Cab to find you. You thumb back to the Ludemeyer markup and click through to find the playlist from their wedding. As you hop into the cab a few moments later, the theme from Miami Vice swells up in your earbuds, sending you off from this time-twisted place. You call up the WordTweet micromarker app and make a traveler&#8217;s note: &#8220;This is a dangerous bench with an old heart.&#8221; Click &#8220;Publish&#8221; and a new feed indicator appears, offering your own layer update to subscribers. </p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2009/09/22/rss-augmented-reality-blog-feeds/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Transhuman Gap</title>
		<link>http://www.urbeingrecorded.com/news/2009/08/14/the-transhuman-gap/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/08/14/the-transhuman-gap/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 21:54:40 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[futures]]></category>
		<category><![CDATA[ghost in the machine]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[neotropes]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=647</guid>
		<description><![CDATA[[Cross-posted from Signtific Lab.] While most would support using technology to allow parapalegics to walk again, to help the blind to see and the deaf to hear, how will society view those who electively enhance themselves through prosthetics &#038; implants? Consider the not-so-subtle marginalization of transhumanists who believe that technology should be readily integrated into [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://urbeingrecorded.com/images/TRANSHUMAN.jpg" width=525></p>
<p>[Cross-posted from <a href="http://signtific.org/en/signals/transhuman-gap">Signtific Lab</a>.]</p>
<p>While most would support using technology to allow parapalegics to walk again, to help the blind to see and the deaf to hear, how will society view those who electively enhance themselves through prosthetics &#038; implants?</p>
<p>Consider the not-so-subtle marginalization of transhumanists who believe that technology should be readily integrated into human biology, experimenting with their own crude body modifications. Or the implications around personal security and privacy (not to mention religious fear) raised by those intrepid folks who are self-implanting RFIDs into their forearms to activate lighting &#038; appliances when they enter their homes. Even the international debates over performance-enhancing drug use by athletes reinforces the cultural belief that a &#8220;natural&#8221; baseline range exists for human abilities and any &#8220;synthetic&#8221; modification beyond the accepted range is considered unfair.</p>
<p>From issues of fairness to those of security and trust, integrating more machinery into a programmable nervous system challenges many of the fundamental notions we have of what it means to be human. When a Marine returns from a warzone patched up with a cochlear implant, how will they be regarded when it&#8217;s revealed that they can hear you speaking from 3 blocks away? Imagine if that person then enters the Police force, what issues of civil liberty and privacy might be confronted? How might we regard an employer that suggests each employee be programmed with software to bring them into the corporate Thinkmesh?</p>
<p>How does society&#8217;s regard for a technology change when that technology becomes part of our bodies? How does our relationship to people change if we know they are different? What competitive advantages are conferred by these technologies and how will they be reinforced by socioeconomic drivers? What gaps might arise between those able to afford augmentations and those who cannot?</p>
<p>And what becomes of the Platonic sense of one fundamental Reality when more &#038; more people are seeing personalized variations of the world mediated by connected devices? Will the merging of technology &#038; flesh enable a more cohesive &#038; effective society or a more fragmented and divisive one?</p>
<p>Thus far humans have worked from a standard body map that allows us to understand ourselves and project that understanding onto all other classes of our species. We will likely bring both our sense of membership as well as our fear of otherness with us as we begin to internalize machines unevenly across cultures.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2009/08/14/the-transhuman-gap/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Reflections on Thailand</title>
		<link>http://www.urbeingrecorded.com/news/2009/07/12/reflections-on-thailand/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/07/12/reflections-on-thailand/#comments</comments>
		<pubDate>Sun, 12 Jul 2009 17:47:13 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix culture]]></category>
		<category><![CDATA[virtual life]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=601</guid>
		<description><![CDATA[[Extensive photo album here.] Japan crossed with Mexico. Hack, mash, and lash everything together. Very hot and thick, humid and prone to short heavy rains. Bangkok is larger than expected, with a higher skyline. Slum-like in many ways but comfortable. Dirty, aged, grafitti&#8217;d, tagged, polluted, smelly, hungry, buggy, feral. Friendly, smiley, reverent, strong, spiritualized, watery, [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok.jpg" width=500></p>
<p>[Extensive photo album <a href="http://urbeingrecorded.com/photos/Thailand09/index.html">here</a>.]</p>
<p>Japan crossed with Mexico. Hack, mash, and lash everything together. Very hot and thick, humid and prone to short heavy rains. Bangkok is larger than expected, with a higher skyline. Slum-like in many ways but comfortable. Dirty, aged, grafitti&#8217;d, tagged, polluted, smelly, hungry, buggy, feral. Friendly, smiley, reverent, strong, spiritualized, watery, creative, delicious, surviving with tenacity. Temples &#038; tenements, luxury hotels and megamalls. Insane traffic and transport. Little regard for lanes or right of way. Swarms of motorbikes, vespas. Cheap and dangerous tuk tuk 3-wheelers. Families piled onto scooters, kids asleep, baggage strapped on. Traffic flow like a logjam, shifting metal slabs moving within inches of each other, victory goes to the bold in a cloud of exhaust. The mighty Chao Phraya cutting its way through Bangkok and out to the coast, it&#8217;s headlands in the foothills below Burma. These are river people, with traffic on the waterways as busy and chaotic as the streets. The river is deep, a 1/4 mile wide, running green &#038; tan, dirty and littered with commercial &#038; vegetal detritus. After the rains clumps of fallen jungle float on its surface, carried down from farms and foothill tributaries. Black &#038; yellow birds land on leafy branches half submerged to dine on nuts and berries. Water taxis from hotel to Sky Train. Fantastic monorail, the SRT, its cement track a modern work of civil engineering adding to the Tokyo vibe of downtown Bangkok.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok4.jpg" width=500></p>
<p>Tangled mess of black utility cable slashing horizontal lines across most everything, tied in to huge transformers, burnt metal grills pumping amperage for the teeming metropolis of 6 million. The twisted infrastructure grows organically like a banyan, stretching out axonal to connect and communicate. Most buildings are old haggard tenements, their facades stained with a dark grey wash like grease and ash drawn out of the thick air. Structures that seem abandoned, uninhabitable, are strung with drying laundry drawn perpendicular to the necessarily ubiquitous swamp coolers lining the sides of each floor. Broken concrete fields under freeway overpasses offer football grounds lined by graffiti mural walls under chainlink divisions. </p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok3.jpg" width=500></p>
<p>Downtown, luxury malls with Louis Vuitton and Burberry fronted by large altars of golden Buddha&#8217;s and Ganesha&#8217;s, black marble elephants flecked with gold, yellow floral garlands and incense offered by shoppers to their immaterial gods. A sign at Wat Phrao Keo in broken Thaiglish sagely, if not inadvertently, warns visitors to &#8220;Beware of your valuable possessions&#8221;. Technology, commerce, wealth, and western aesthetics have moved in with the economic development afforded here as in every other large city by the realities of globalized communication and trade.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok1.jpg" width=500></p>
<p>Down crowded alleyways lined with merchant stalls and open air ad hoc kitchens, thick with pedestrians, cars, tuk tuks, and manic motorcyclists weaving through the narrow channels, over rooftop patios caged against some unseen menace, rise countless golden and white and glittery temple spires. Buddhist Wats take residence everywhere, themselves seemingly hacked into the dense fabric of the city, rising like aspirational fruiting bodies of ancient mycelial webs. Wat Arum, Wat Pho, Wat Phra Keo &#038; the Grand Palace, and innumerable others. Religion &#038; myth is woven throughout the populace. Every building has it&#8217;s own adjacent spirit house offering residence to the disincarnate lest they move into your own home. City walls are tacked with incense holders between stores. Banyans breaking through the sidewalks are wrapped with rainbow sashes honoring their freakish holy treeness. Every taxi has a statue on the dash or mala hanging from the rearview or Buddhist stencil on the headboard or any combination of the aforementioned. A 3-day Buddhist holiday shut down all government and banking.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokTemple.jpg" width=500></p>
<p>The current Thai king is the longest reigning monarch of the modern age, holding office since 1950. Thailand was the only East-Asian country to resist British colonialism, sparing its autonomy by ceding a few bits of territory along the Burmese &#038; Malay borders. Indeed there are long running conflicts with the Burmese, and Buddhist Thailand is in the midst of an insurgency along the Malaysian border from an advancing Islamic populace. The cabinet of the prime minister and the military have provided ongoing political theater as each vie back and forth for the seat of power. Most transfers of power, even in the case of multiple coups, have been bloodless. The Thai people themselves seem to have little interest in these power games, preferring a life of pragmatic spirituality while maintaining a deep abiding love and respect for the king. The two possibly mortal social offenses in Thai society are speaking ill of the Buddha and speaking ill of the king.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokRailay.jpg" width=500></p>
<p>Farming is honored. Rubber trees and palms cover most southern land, providing two of the country&#8217;s largest exports. The Thai peninsula includes all the most breathtaking exotic tropical beach locations you could imagine, including the stunning Railay Bay &#8211; famed for the movie The Beach. Beautiful light blue waters, ridiculously warm and salty, stretched for ages across the gulf. Koh Samui running on Full Moon inertia, tourist trinkets, and scattered luxury resorts sheltered from the hustle. Low inland jungles bring minimal shade to island shanties in seemingly impossible poverty. Yet they survive &#038; persist and move through generations like the rest of us. Koh Phangan also still milking their internationally notorious Full Moon Rave scene, adding a Half Moon party to underwrite the Euro draw. Even away from the main strips the beach scenes has a fun accidental Burning Man vibe, a shoreline esplanade of shanty bars and sound systems. Expats all over the place. Seems easy to get lost for months, years, decades in some seaside shack eating fruit and fish in a poor man&#8217;s paradise. Impossible walls of insects whip up into sudden frenzy, a cacophonous wail of screamapillars, giant cicadas that still don&#8217;t seem anywhere near big enough to make such a pitch. Monkey troops swing across canopies carpeting tall rock slabs jutting from the water. A rock climber&#8217;s joy, sheer faces hung with dripping stalactites and pocked with rope tie-ins. These tall rocks are scattered by the hundreds &#8211; thousands? &#8211; across the Gulf of Thailand and Andaman Sea. A boater&#8217;s paradise. You could spend months exploring thin beaches stretched around the edges of countless small jungle rock islands.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BeachScene.jpg" width=500></p>
<p>In the South, each night was attended by thunderstorm, often over sea or above the island peaks. Big black charcoal canvas lumbering across, flicker flashed with lightning bursts every few moments, often too distant to hear the thunderclap, then a sudden ear-shattering rend of ozone right above. When the heavy rains hit they come quickly and with ferocity. Never seen rain like it. So thick that it occluded line of sight to 20 meters or so, hiding everything beyond in watery showers. From the steep island peaks water rushes down in sudden rivers cutting through beach sands, pushing tan clouds out into the bay, a shimmering clear layer of fresh water forcing the saline back out over the ocean&#8217;s surface. Giant raindrops agitate the bugs forcing them to take flight in peppery swarms. Small opportunistic swift-like birds take to the skies darting and arching, turning and diving to pluck the insects mid-air in some ancient deeply programmed ballet of the food chain. Life goes on. It must. When rains come often and fiercely you can&#8217;t just drop your business. This was especially so in Bangkok whose streets are lined with tirelessly deployed open markets bare to the sky save for a small canvas over each. In 20 or 30 minutes the rain will likely pass so there&#8217;s no point in worrying much about the interlude.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Cinatown.jpg" width=500></p>
<p>While the deep south is struggling with a mounting Islamic insurgency, and the peninsula is attending the construction of more new mosques, the buddhist majority continues to permeate life with the spirit of their patron, accompanied by a host of Garuda and Nagas and a menagerie of mythic beasties syncretized from India and China. If Thai Buddhist Bangkok is feral and lashed and relentlessly modded in ghetto slapdash, the Bangkok Chinatown is 10x more so compressed into tighter alleyways, with more people and motorcylces (Vespas apparently seek Chinatown to live out their golden years), hung with impossibly more spaghetti cables, and festooned with walls of neon Mandarin signage casting a little too much light onto freakish displays of animal carcass and presumably inedible seafood and giant transparent sacks of fried pork product and stall after stall of fashionable Versace &#038; Loius Vuitton knock-offs. Imagine threading your way down a dark, narrow alley lined with flea market stalls and no-health-code/no-insurance open air cart kitchens, filled with people pressing in all directions through dense heat and smell and rot, then send a motorcycle down the alley every few moments to do battle with cross-traffic carts and tuk tuks. Now imagine the alley is a whole network labyrinth covering multiple blocks between several-story tenaments streaked with black soot and stain and hung with drying clothes and black cables. This is why we western pansies stay in the nice hotel with A/C and a pool.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokChinatown.jpg" width=500></p>
<p>The final capper to the trip was in Bangkok the night before our departure. After the evening rains subsided, my partner and I went down to the pool for a night swim, around 9pm. Refreshing and fun we frolicked and generally soaked up the remaining moments of our stay. Then, in the poolside darkness moving low between the lounge chairs, I saw a large reptilian form lumbering along. &#8220;Dude, there&#8217;s a fricken alligator coming towards the pool!&#8221; I exclaimed excitedly. As it marched into the light we realized it was actually a monitor lizard &#8211; Varanus salvator, to be precise &#8211; about 5-6ft long with a fattened belly like it just ate a dog or possibly a small European child. &#8220;If that thing gets in the water, we get out immediately&#8221; I said with some urgency. I knew it could swim and see underwater much better than we could. No reason to tangle with a 6ft thunderlizard in a foreign country with questionable health care. Sure enough the beast slipped into the pool and sidled along the swim-up bar. We hopped out, laughing nervously, and I approached the lizard from a careful distance. Grabbing the pool attendant I motioned towards the monster. &#8220;That&#8217;s bad&#8221;, he said in a way that suggested that, bad as it may be, it wasn&#8217;t unusual. And so he casually splashed the creature with water nudging it along until it climbed out of the pool slowly, begrudgingly, made it&#8217;s way back into the riverside brush. It was easily the biggest lizard I&#8217;d ever seen in the wild.</p>
<p>The final day we were denied pool access during a particularly solid rain. When it&#8217;s always 90+ degrees &#038; 90+% humidity, swimming in the rain is quite nice. But no, we were not allowed. &#8220;Why?&#8221; I protested. &#8220;Lightning&#8221; retorted the attendant. Fair enough, I thought. Then, in a casual but cautionary aside, the attendant reflected, &#8220;We had an accident last year&#8221;. This is the Bangkok Riverside Marriott, a fancy if not dated family hotel. Apparently buried somewhere deep in the boilerplate legalese fine print of our hotel contract is the clause, &#8220;Marriott Properties takes no liability in the event of any hotel guest or visitor getting suddenly struck by lightning and then slowly eaten by ferocious monitor lizards&#8221;.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokRiver.jpg" width=500></p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2009/07/12/reflections-on-thailand/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Radiohead, Humpasaur Jones, N8UR</title>
		<link>http://www.urbeingrecorded.com/news/2009/04/03/radiohead-humpasaur-jones-n8ur/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/04/03/radiohead-humpasaur-jones-n8ur/#comments</comments>
		<pubDate>Sat, 04 Apr 2009 00:34:16 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[remix culture]]></category>
		<category><![CDATA[n8ur]]></category>
		<category><![CDATA[radiohead]]></category>
		<category><![CDATA[remix]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=484</guid>
		<description><![CDATA[Over at N8UR I&#8217;ve just posted 2 new tracks I&#8217;ve been working on. The first is Into Winter &#8211; a heavy electronic piece featuring vocals from Humpasaur Jones that I chopped up considerably. The second is a disco trance track called Disco Assassin. Also, while you&#8217;re there please grab the Radiohead remix I did of [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://n8ur.com/images/colonelSM.jpg"></p>
<p>Over at <a href="http://n8ur.com">N8UR</a> I&#8217;ve just posted 2 new tracks I&#8217;ve been working on. The first is <a href="http://n8ur.com/domestic/IntoWinter(N8UR).mp3">Into Winter</a> &#8211; a heavy electronic piece featuring vocals from <a href="http://www.humpjones.com/">Humpasaur Jones</a> that I chopped up considerably. The second is a disco trance track called <a href="http://n8ur.com/domestic/DiscoAssassin(N8UR).mp3">Disco Assassin</a>.</p>
<p>Also, while you&#8217;re there please grab the <a href="http://radiohead.com">Radiohead</a> remix I did of Naked: <a href="http://n8ur.com/music/Nude(DressedUpMix)-Radiohead.mp3">Nude (Dressed Up Mix)</a>.</p>
<p>Cheers!</p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2009/04/03/radiohead-humpasaur-jones-n8ur/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>E-Tech 2009 Twitter Round-up</title>
		<link>http://www.urbeingrecorded.com/news/2009/03/15/e-tech-2009-twitter-round-up/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/03/15/e-tech-2009-twitter-round-up/#comments</comments>
		<pubDate>Sun, 15 Mar 2009 21:01:53 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[cool tech]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[fundaments]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[mobile nets]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[neotropes]]></category>
		<category><![CDATA[remix culture]]></category>
		<category><![CDATA[smart objects]]></category>
		<category><![CDATA[soft serv]]></category>
		<category><![CDATA[sustainability]]></category>
		<category><![CDATA[tech analysis]]></category>
		<category><![CDATA[virtual life]]></category>
		<category><![CDATA[etech emerging]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=461</guid>
		<description><![CDATA[Here&#8217;s a selection of my tweets from the O&#8217;Reilly Emerging Technology Conference this past week. These are the ones I think grab the juicy nuggets from the speaker&#8217;s presentations. [In temporal order with the earliest (ie Monday eve) listed first.] Tim O&#8217;Reilly: &#8220;We have greatness but have wasted it on so much. &#8221; We have [...]]]></description>
			<content:encoded><![CDATA[<p>Here&#8217;s a selection of my tweets from the O&#8217;Reilly Emerging Technology Conference this past week. These are the ones I think grab the juicy nuggets from the speaker&#8217;s presentations. [In temporal order with the earliest (ie Monday eve) listed first.] </p>
<p><strong>Tim O&#8217;Reilly:</strong> &#8220;We have greatness but have wasted it on so much. &#8221;<br />
We have an unprecedented opportunity to build a digital commonwealth. #etech<br />
Work on something that matters to you more than money. This is a robust strategy. #etech<br />
<strong>Niall Kennedy:</strong> Energy Star rating for web apps? Thinking of clouds &#038; programming like tuning a car for better gas mileage. #etech<br />
Cloud computing: no reasonable expectation of privacy when data is not in your hands. Not protected by 4th amendment. #etech<br />
<strong>Alex Steffen:</strong> Problems with water supply are based in part on our lack of beavers. #etech<br />
Social media for human rights. http://hub.witness.org #etech<br />
<strong>Gavin Starks</strong> &#8211; Your Energy Identity &#038; Why You Should Care. see http://amee.com #etech<br />
<strong>Maureen Mclugh</strong> &#8211; Consider that technology may be evolving in ways that are not particularly interested in us. #etech<br />
<strong>Becker, Muller:</strong> We have under-estimated the costs and over-estimated the value of our economy. #etech<br />
<strong>Becker, Muller:</strong> We assume economic trade must be the primary framing of value in our lives. Why? #etech<br />
Design Patterns for PostConsumerism: Free; Repair Culture; Reputation Scaled; Loanership Society; Virtual Production. #etech<br />
<strong>NYT:</strong> emerging platforms, text reflow, multitouch, flexy displays, smart content, sms story updates, sensors, GPS localized content. #etech<br />
<strong>Jeremy Faludi:</strong> Buildings &#038; transport have the largest impact on climate change. Biggest bang for the buck in re-design. #etech<br />
<strong>Jeremy Faludi</strong> &#8211; Biggest contributor to species extinction &#038; habitat loss is encroachment &#038; byproducts from agriculture. #etech<br />
<strong>Jeremy Faludi</strong> &#8211; Best strategies to vastly reduce overpopulation: access to birth control &#038; family planning, empowerment of women. #etech<br />
<strong>Tom Raftery:</strong> Grid 1.0 can&#8217;t manage excess power from renewables. Solution: electric cars as distributed storage. #etech<br />
Considering the impact of pluging AMEE (@agentGav) data in ERP systems for feedback to biz about supply chain impacts. BI meets NRG ID.<br />
<strong>Mike Mathieu:</strong> Data becoming more important than code. Civic data is plentiful and largely untapped. Make civic apps! #etech<br />
<strong>Mike Mathieu:</strong> Take 10 minutes today and pick your crisis. Figure out how to create software to help. #etech<br />
What is #SantaCruz doing to make civic data available to service builders? We want to help SC be healthier &#038; more productive.<br />
<strong>Mark Fraunfelder:</strong> “I haven’t heard of anybody having great success with automatic chicken doors.” #etech [re-emerging technology]<br />
Realities of energy efficiency: 1gallon of gasoline = ~1000hrs of human labor. #etech<br />
<strong>Kevin Lynch:</strong> Adobe is saving over $1M annually just by managing energy. #etech<br />
Designing backwards: Think about the destiny of the item before thinking about he initial use. (via Brian Dougherty) #etech<br />
RealTimeCity: physical &#038; digital space merges, people incorporate intelligent systems, cities react in accord w/needs of pub welfare. #etech<br />
Oh my we&#8217;re being LIDAR&#8217;d while <strong>Zoe Keating</strong> plays live cello n loops. ZOMG!!!<br />
<strong>zoe keating</strong> &#038; live lidar is blowing my mind at #etech 1.3M points per sec!<br />
<strong>Julian Bleeker</strong> cites David A. Kirby: “Diegetic prototypes have a major rhetorical advantage over true prototypes” #etech<br />
<strong>Julian Bleeker:</strong> Stories matter when designing the future, eg. Minority Report. #etech<br />
<strong>Julian Bleeker:</strong> &#8220;Think of Philip K. Dick as a System Administrator. #etech<br />
<strong>Rebecca MacKinnon:</strong> Which side are we helping, River Crabs or Grass Mud Horses? #etech<br />
<strong>Kati London:</strong> How can we use games to game The System and how can they be used to solve civic problems? #etech<br />
<strong>Nathan Wolfe:</strong> Trying to fight pandemics only at the viral human level ignores deep socioeconomic causes of animal-human transmission. #etech<br />
<strong>Nathan Wolfe</strong>, re: viral jump from animal to human populations: &#8220;What happens in central Africa doesn’t stay in central Africa.&#8221;<br />
<strong>Nathan Wolfe:</strong> need to work with % of population w/ hi freq of direct contact with animals for early detection of viral transmission.<br />
<strong>Nathan Wolfe:</strong> Vast majority of biosphere is microscopic, mostly bacterial &#038; viral. Humans: very small piece of life on Earth. #etech</p>
]]></content:encoded>
			<wfw:commentRss>http://www.urbeingrecorded.com/news/2009/03/15/e-tech-2009-twitter-round-up/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>

