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	<title>URBEINGRECORDED &#187; creations</title>
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		<title>Amon Tobin ISAM &#8211; Mixed-Media Sound &amp; Projection Mapping</title>
		<link>http://www.urbeingrecorded.com/news/2011/10/11/amon-tobin-isam-mixed-media-sound-projection-mapping/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/10/11/amon-tobin-isam-mixed-media-sound-projection-mapping/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 18:20:17 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[cool tech]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[neotropes]]></category>
		<category><![CDATA[virtual life]]></category>
		<category><![CDATA[gesture]]></category>
		<category><![CDATA[kinect]]></category>
		<category><![CDATA[projection mapping]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1572</guid>
		<description><![CDATA[I saw Amon Tobin&#8217;s ISAM project a week ago at The Warfield theater in San Francisco. Literally jaw-dropping. Visualizing ISAM from Leviathan on Vimeo. Leviathan worked with frequent collaborator and renowned VJ Vello Virkhaus on groundbreaking performance visuals for electronic musician Amon Tobin, creating ethereal CG narratives and engineering the geometry maps for an entire [...]]]></description>
			<content:encoded><![CDATA[<p>I saw <a href="http://www.lvthn.com/work/amon">Amon Tobin&#8217;s ISAM project</a> a week ago at The Warfield theater in San Francisco. Literally jaw-dropping. </p>
<p><iframe src="http://player.vimeo.com/video/26057973?title=0&amp;byline=0&amp;portrait=0" width="550" height="309" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/26057973">Visualizing ISAM</a> from <a href="http://vimeo.com/lvthn">Leviathan</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<blockquote><p>Leviathan worked with frequent collaborator and renowned VJ Vello Virkhaus on groundbreaking performance visuals for electronic musician Amon Tobin, creating ethereal CG narratives and engineering the geometry maps for an entire stage of stacked cube-like structures. Taking the performance further, the Leviathan team also developed a proprietary projection alignment tool to ensure quick and accurate setup for the show, along with custom Kinect control &#038; visualization utilities for Amon to command.</p></blockquote>
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		<title>Sathorn &#8211; On Opportunistic Ghosts and the Persistence of Grilled Meat Vendors</title>
		<link>http://www.urbeingrecorded.com/news/2011/08/18/sathorn-on-opportunistic-ghosts-and-the-persistence-of-grilled-meat-vendors/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/08/18/sathorn-on-opportunistic-ghosts-and-the-persistence-of-grilled-meat-vendors/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 04:29:55 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1534</guid>
		<description><![CDATA[Sathorn (final premaster mix) by chris23 If the Rooftop represented the peak of the Sathorn Unique experience, then the 5th &#038; final song, simply titled Sathorn, is the come-down &#038; resolution. The track opens with sounds of the street under falling stars. The beat is more syncopated and there&#8217;s a roots vibe, accented with a [...]]]></description>
			<content:encoded><![CDATA[<p><object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F20650480"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F20650480" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/chris23/sathorn-final-premaster-mix">Sathorn (final premaster mix)</a> by <a href="http://soundcloud.com/chris23">chris23</a></span> </p>
<p>If the Rooftop represented the peak of the Sathorn Unique experience, then the 5th &#038; final song, simply titled Sathorn, is the come-down &#038; resolution. The track opens with sounds of the street under falling stars. The beat is more syncopated and there&#8217;s a roots vibe, accented with a guitar &#038; organ skank. There are more obviously-melodic elements in this song suggesting the enduring vitality of the creative act, in spite of decay &#038; downfall. </p>
<p>And really, Blade Runner futures aside, amidst the endless rise &#038; fall of empires people will always find simple ways to sing &#038; make music. The electronic studio I&#8217;ve used to produce these songs could dry up with my ability to pay utilities, or be looted by desperate &#038; displaced interlopers. I&#8217;d still have an acoustic guitar. No blips &#038; bleeps needed. </p>
<p>This final song is more about the reality of the street below the Ghost Tower, and the necessary persistence of urban life proceeding whether or not Sathorn Unique was ever a success. Indeed, for most people, such overly-ambitious and incomprehensibly expensive skyscrapers have always been barely real. Such towers are not made for commoners. This one in particular emphasizes the tension, standing as it is now, hollowed and broken, once flush with moneys now vanished &#038; moved on to better investment opportunities. </p>
<p>This is where the lavish imagined timeline of Sathorn Unique collapses back into the local reality, like the moldering brochures showing off a future that never was. This is where the ephemeral whims of capital touched down long enough to leave an indelible reminder of their ultimate disloyalty. The final movement of Sathorn, the song, reinforces the hard facts of life and the brutishness of the global money game. The droning wall and the whining worm throw up the fierce edge of survival. </p>
<p>And yet, the tempest sputters out and returns, as it always does, back to the streets where life continues, for good &#038; ill, unabated for millenia thus far. This is the resolution: that, despite the great power elites and their fantasies &#038; seductions, despite the shell games and ponzi schemes and cronyism and backstabbing&#8230; Despite all this the people persist. And they make music to express their lives, ease their burdens, and tell their stories. For most, the Ghost Tower is like the global elite: more easily forgotten in its decline than challenged in its prime. </p>
<p>From <a href="http://sathornunique.tumblr.com/">Sathorn Unique</a>.</p>
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		<title>2 New Songs from Sathorn Unique</title>
		<link>http://www.urbeingrecorded.com/news/2011/07/07/sathorn/</link>
		<comments>http://www.urbeingrecorded.com/news/2011/07/07/sathorn/#comments</comments>
		<pubDate>Fri, 08 Jul 2011 05:47:51 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[new media]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1482</guid>
		<description><![CDATA[Via BestBookmarks. 2 new songs from my Sathorn Unique project. This has been the bulk of my focus lately, between paying gigs &#038; whatnot. Track 2, Entrance, is almost done. Entrance (final premaster mix) by chris23 Track 3, Climbing, is just starting to take shape with a few more versions yet ahead. Climbing (first mix) [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://lookslikegooddesign.com/wp-content/uploads/2011/06/ap-2.gif" alt="" title="AnaPais" width="500" class="alignnone size-medium wp-image-1484" /></a><br />
Via <a href="http://bestbookmarks.net/photography/cinemagraphs-by-ana-pais">BestBookmarks</a>.</p>
<p>2 new songs from my <a href="http://sathornunique.tumblr.com/">Sathorn Unique</a> project. This has been the bulk of my focus lately, between paying gigs &#038; whatnot. </p>
<p>Track 2, Entrance, is almost done.<br />
<object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18613902"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18613902" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/chris23/entrance-final-premaster-mix">Entrance (final premaster mix)</a> by <a href="http://soundcloud.com/chris23">chris23</a></span> </p>
<p>Track 3, Climbing, is just starting to take shape with a few more versions yet ahead.<br />
<object height="81" width="100%"><param name="movie" value="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18615142"></param><param name="allowscriptaccess" value="always"></param> <embed allowscriptaccess="always" height="81" src="http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18615142" type="application/x-shockwave-flash" width="100%"></embed></object>  <span><a href="http://soundcloud.com/chris23/climbing-first-mix">Climbing (first mix)</a> by <a href="http://soundcloud.com/chris23">chris23</a></span> </p>
<p>Also, please check out my short note on <a href="http://sathornunique.tumblr.com/post/7373396096/music-as-structure-music-as-dream">music as structure, music as dream</a>. </p>
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		<title>Back-Casting From 2043</title>
		<link>http://www.urbeingrecorded.com/news/2010/08/25/back-casting-from-2043/</link>
		<comments>http://www.urbeingrecorded.com/news/2010/08/25/back-casting-from-2043/#comments</comments>
		<pubDate>Thu, 26 Aug 2010 00:20:59 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[augmented]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[energy]]></category>
		<category><![CDATA[fundaments]]></category>
		<category><![CDATA[futures]]></category>
		<category><![CDATA[geopol]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[systems]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=1209</guid>
		<description><![CDATA[[This article has become the most popular item I've ever posted on this blog. Thanks so much to everyone who has read it and passed it along!] When it’s busy like this the viz sometimes shifts like the color bleed you used to see on those old Sunday comics, way back in the day. Ubiquitous [...]]]></description>
			<content:encoded><![CDATA[<p>[This article has become the most popular item I've ever posted on this blog. Thanks so much to everyone who has read it and passed it along!] </p>
<p><img alt="" src="http://urbeingrecorded.com/images/VRbaby.jpg" title="digital natives" class="aligncenter" width="485" height="364" /></p>
<p>When it’s busy like this the viz sometimes shifts like the color bleed you used to see on those old Sunday comics, way back in the day. Ubiquitous fiber pipes &#038; wide-band wireless still can’t give enough bandwidth to the teeming multitudes downtown. The viz starts to lag, gets offset and even orphaned from the hard world it’s trying to be a part of. Hyperclear Ray Ban augments, lenses ground down by hand-sequenced rock algaes to such an impossibly smooth uniformity, run through with transparent circuity &#038; bloodied rare-earth elements, scanning the world in multiple dimensions, pinging the cloud at 10GHz and pushing articulated data forms through massive OLED clusters just to show me where I can find an open null shield and the best possible cup of coffee this side of Ethiopia. Then the pipes clog and those ridiculously expensive glasses turn into cheap 3D specs from 2010 pretending to make 2D look like real life but instead here they’re doing the print offset thing, flattening my world into color shifts and mismatched registers. </p>
<p>Marks are flickering in &#038; out, overlapping &#038; losing their z-order. A public note on a park bench glows green &#8211; something about the local chemwash schedule &#8211; then loses integrity to one of my own annotations left there, like, a year ago. A poem I cranked out on a late night bender but it’s unreadable with all the other layers clashing. Even the filters get confused when the pipes clog. If you look around fast enough, marks start to trail &#038; stutter in a wash of data echoes like when screens used to have refresh errors. Only now our eyes are the screens and the whole world gets caught in recursive copy loops.</p>
<p>The Ray Bans correct it pretty quickly, attenuating the rendered view and pushing up the hard view as the dominant layer. But for a moment it feels like you’re tripping. It used to be physically nauseating, a sudden vertigo brought on by that weird disconnect of self &#038; place. Like so much of life these days, you spend a lot of time adapting to disconnects between layers. Between real and rendered. Between self &#038; other, human &#038; machine. Between expectations &#038; outcomes. </p>
<p><img alt="" src="http://urbeingrecorded.com/images/WallStClosed.jpg" title="No Value" width="600" height="377" /></p>
<p>The arc of glorious progress that opened the 21st century seemed to have found it’s apogee around 2006 or so and then came hurtling back towards Earth. And it wasn’t like earlier “corrections”. This one was big. It was a fundamental stock-taking of the entirety of the industrial age to date and things were suddenly, shockingly, terribly mis-matched from the realities of the world. Planetary-scale disconnects. The carrying capacity of economies, nations, ecosystems, and humanity itself came into clear &#038; violent resolution by the 2020’s when everything started to radically shift under the twin engines of hyper-connectivity and ecological chaos. These two previously unexpected titans directly challenged and usurped the entire paradigm of the developed and developing worlds, setting us all into choppy and uncertain seas. </p>
<p>Sure, we still get to play with the crazy cool tech. Or at least some of us do. What the early cyberpunks showed us, and what the real systems geeks always knew, is that the world is not uniform or binary. It’s not utopia vs. dystopia, win vs. lose, us vs. them, iGlasses or collapse. It’s a complex, dynamic blend of an unfathomable number of inputs, governors, and feedback loops constantly, endlessly iterating across inconceivable scales to weave this crazy web of life. So we have climate refugees from Kansas getting tips from re-settled Ukrainians about resilience farming. We have insurgencies in North America and social collectives across South America. The biggest brands in the world are coming out of Seoul &#038; Johannesburg while virtually-anonymous distributed collaboratives provide skills &#038; services across the globe. And we have Macroviz design teams from Jakarta &#038; Kerala directing fab teams in Bangkok to make Ray Bans to sell to anybody with enough will &#038; credit to purchase. Globalization &#038; it&#8217;s discontents has proven to offer a surprising amount of resilience. Heading into the Great Shift it looked like the developed world was headed for 3rd world-style poverty &#038; collapse. But it hasn’t been quite that bad. More of a radical leveling of the entire global macro-economic playing field with the majority settling somewhere on the upper end of lower class. Some rose, many fell. It was&#8230; disturbing, to say the least. It simply didn’t fit the models. Everyone expected collapse or transcendence. </p>
<p>We humans want things to be as simple as possible. It’s just natural. Makes it easier to service the needs of biosurvival. But we’ve not created a simple world. Indeed, the world of our making looks about as orderly as the mess of 100 billion brain cells knotted up in our heads or the fragmented holographic complexes of memories &#038; emotions, aspiration &#038; fears, that clog it all up. We built living systems as complex as anything the planet could dish out. Not in the billions of years nature uses to refine and optimize but in a matter of a few millennia. We raced out of the gate, got on top of the resource game, took a look around, and realized the whole thing needed to be torn down and completely redesigned for the realities of the world. The outcomes no longer fit the expectations. In some strange fractal paradox, the maps got so accurate that the territory suddenly looked very different from what we thought. </p>
<p><img alt="" src="http://urbeingrecorded.com/images/DigitalNative.jpg" title="connected" class="alignright" width="220"  /></p>
<p>The null shield was created as a black spot. A cone of silence for the information age. They’re like little international zones offering e-sylum in select coffee shops, parlors, dining establishments, and the finer brick-and-mortar lifestyle shops. And in conflict zones, narco-corridors, favelas, gang tenements, and the many other long-tail alleyways of the ad hoc shadow state. The null shield is a fully encrypted, anonymized, opt-in hotspot that deflects everything and anything the global service/intel/pr industry tries to throw at you or copy from you. What’s better is you don’t even show up as a black spot like the early implementations that would hide you but basically tell the world where you were hidden. You’re invisible and only connected to the exact channels you want. </p>
<p>These were originally created for civ lib types and the militarized criminal underclass as a counter-measure to the encroaching security state. But as traditional states universally weakened under the weight of bureaucracies and insurmountable budgets (and the growing power of cities and their Corp/NGO alignments), the state’s ability to surveil the citizenry declined. All the money they needed to keep paying IT staff, policy researchers, infrastructure operators, emergency responders, and the security apparatus &#8211; all that money was siphoned up by the cunning multinationals who used their financial wit &#038; weight to undermine the states ability to regulate them. Now states &#8211; even relatively large ones like the U.S. government &#8211; are borrowing money from the multinationals just to stay afloat. The iron fist of surveillance &#038; security has been mostly replaced by the annoying finger of marketing &#038; advertising, always poking you in the eye wherever you go. </p>
<p>Keeping on top of the viz means keeping your filters up to date and fully functional. Bugs &#038; viruses are still a problem, sure, but we’ve had near-50 years to develop a healthy immunity to most data infections. We still get the occasional viz jammer swapping all your english mark txt with kanji, and riders that sit in your stream just grabbing it all and bussing it to some server in Bucharest. But it’s the marketing vads and shell scanners that drive the new arms race of personal security. Used to be the FBI were the ones who would scan your browsing history to figure out if you’re an Islamic terrorist or right wing nut, then black-out the Burger Trough and grab you with a shock team right in the middle of your Friendly Meal. Even if they had the money to do it now, the Feds understand that the real threats are in the dark nets not the shopping malls. So the marketers have stepped in. They want your reading list so they can scan-and-spam you wherever you go, whenever, then sell the data to an ad agency. They want access to your viz to track your attention in real-time. They want to fold your every move into a demographic profile to help them pin-point their markets, anticipate trends, and catch you around every corner with ads for the Next Little Thing. And they use their access to rent cog cycles for whatever mechanical turk market research projects they have running in the background. </p>
<p><img alt="" src="http://urbeingrecorded.com/images/JustDoIt.jpg" title="Just Do It" class="aligncenter" width="520" /></p>
<p>Google gave us the most complete map of the world. They gave us a repository of the greatest written works of our species. And a legacy of ubiquitous smart advertising that now approaches near-sentience in it’s human-like capacity to find you and push your buttons. In some ways the viz is just a cheap universal billboard. Who knew that all those billions of embedded chips covering the planet would be running subroutines pushing advertising and special interest blurbs to every corner of the globe? There are tales of foot travelers ranging deep into the ancient back-country forests of New Guinea, off-grid and viz-free, only to be confronted by flocks of parrots squawking out the latest tagline from some Bangalore soap opera. Seems the trees were instrumented with Google smart motes a few decades ago for a study in heavy metal bio-accumulation. Something about impedance shielding and sub-frequency fields affecting the parrots&#8230; </p>
<p>So while the people colonized the cloud so they could share themselves and embrace the world, the spammers, advert jocks, and marketing hacks pushed in just as quickly because wherever people are, wherever they gather and talk and measure themselves against each other &#038; the world&#8230; in those places they can be watched and studied and  readily persuaded to part with their hard-earned currency. </p>
<p>Or credits or karma points or whatever. Just like the rest of the big paradigms, value has shifted beyond anybody’s understanding. Gold and currency at least attempted to normalize value into some tangible form. But the markets got too big &#038; complex and too deeply connected to the subtleties of human behavior and the cunning of human predators. While money, the thing, was a tangible piece of value, the marketplace of credit &#038; derivatives undermined it’s solidity and abstracted value out into the cold frontiers of economics philosophers and automated high-frequency trading bots. So much of the money got sucked up into so few hands that the world was left to figure out just how the hell all those unemployed people were going to work again. Instead of signing up for indentured servitude on the big banking farms, folks got all DIY while value fled the cash &#038; credit markets and transfigured into service exchanges, reputation currencies, local scrip, barter markets, shadow economies, and a seemingly endless cornucopia of adaptive strategies for trading your work &#038; talent for goods &#038; services. </p>
<p><img alt="" src="http://urbeingrecorded.com/images/make.jpg" title="diy" class="alignleft" width="220" height="338" /></p>
<p>Sure, there’s still stock markets, central banks, and big box corps but they operate in a world kind of like celebrities did in the 20th century, though more infamous than famous. They exist as the loa in a web of voodoo economics: you petition them for the trickle-down. Or just ignore them. They’re a special class that mostly sticks among their kind, sustaining a B2B layer that drives the e-teams &#038; design shops, fab plants &#038; supply chains to keep churning out those Ray Ban iGlasses. Lucky for them, materials science has seen a big acceleration since the 2010’s with considerable gains in miniaturization and efficiency so it’s a lot easier to be a multinational when much of your work is dematerialized and the stuff that is hard goods is mostly vat-grown or micro-assembled by bacterial hybrids. Once the massive inflationary spike of the Big Correction passed, it actually got a lot cheaper to do business.</p>
<p>Good news for the rest of us, too, as we were all very sorely in need of a serious local manufacturing capacity with a sustainable footprint and DIY extensibility. Really, this was the thing that moved so many people off the legacy economy. Powerful desktop CAD coupled to lo-intensity, high-fidelity 3d printers opened up hard goods innovation to millions. The mad rush of inventors and their collaborations brought solar conversion efficiency up to 85% within 3 years, allowing the majority of the world to secure their energy needs with minimal overhead. Even now, garage biotech shops in Sao Paulo are developing hybrid chloroplasts that can be vat-grown and painted on just about anything. This will pretty much eliminate the materials costs of hard solar and make just about anything into a photosynthetic energy generator, slurping up atmospheric carbon and exhaling oxygen in the process. Sometimes things align and register just right&#8230;</p>
<p><img alt="" src="http://urbeingrecorded.com/images/mursi-pod.jpg" title="mixed worlds" class="aligncenter" width="520" /></p>
<p>So here we are in 2043 and, like all of our history, so many things have changed and so many things have stayed the same. But this time it’s the really big things that have changed, and while all change is difficult we’re arguably much stronger and much more independent for it all. Sure, not everybody can afford these sweet Ray Bans. And the federated state bodies that kept us mostly safe and mostly employed are no longer the reliable parents they once were. We live in a complex world of great wealth and great disparity, as always, but security &#038; social welfare is slowly rising with the tide of human technological adaptation. Things are generally much cheaper, lighter, and designed to reside &#038; decay within ecosystems. Product becomes waste becomes food becomes new life. Our machines are more like natural creatures, seeking equilibrium and optimization, hybridized by the ceaseless blurring of organic &#038; inorganic, by the innate animal disposition towards biomimicry, and by the insistence of the natural world to dictate the rules of human evolution, as always. After all, we are animals, deep down inside, compelled to work it out and adapt. </p>
<p>Time’s up on the null shield. Coffee is down. And the viz is doing it’s thing now that the evening rush has thinned. Out into the moody streets of the city core, the same streets trod for a thousand years here, viz or no. The same motivations, the same dreams. It always comes back to how our feet fall on the ground, how the food reaches our mouth, and how we share our lives with those we care for. </p>
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		<title>Free New Music: Western Rains EP</title>
		<link>http://www.urbeingrecorded.com/news/2010/01/25/free-new-music-western-rains-ep/</link>
		<comments>http://www.urbeingrecorded.com/news/2010/01/25/free-new-music-western-rains-ep/#comments</comments>
		<pubDate>Mon, 25 Jan 2010 20:31:36 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=829</guid>
		<description><![CDATA[I&#8217;ve been on a music production bender since the new year. The results have come together in a new free EP I&#8217;ve released through Bandcamp: Western Rains. It&#8217;s wet and devotional, a sort of dubstep electro platter featuring eastern vocals and world percussion. Give it a listen. If you like it, please share! My older [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://bandcamp.com/files/18/94/1894877195-1.jpg" alt="western rains" /></p>
<p>I&#8217;ve been on a music production bender since the new year. The results have come together in a new free EP I&#8217;ve released through Bandcamp: <a href="http://n8ur.bandcamp.com/">Western Rains</a>. It&#8217;s wet and devotional, a sort of dubstep electro platter featuring eastern vocals and world percussion. Give it a listen. If you like it, please share!</p>
<p>My older music is at <a href="http://n8ur.com">N8UR</a>. I&#8217;m always interested in collaboration (or licensing!) opportunities&#8230;</p>
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		<title>Joseph Matheny Interviewed Me For Alterati</title>
		<link>http://www.urbeingrecorded.com/news/2009/10/19/joseph-matheny-interviewed-me-for-alterati/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/10/19/joseph-matheny-interviewed-me-for-alterati/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 18:28:14 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[fundaments]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=731</guid>
		<description><![CDATA[It&#8217;s a wide-ranging discussion around technologies and their impacts on culture, consciousness, the species, and what may become of our futures. In spite of the picture above, there is no discussion of advanced techniques for elevated goat farming. We had to save that for a later episode. G-Spot interviews Chris Arkenberg.]]></description>
			<content:encoded><![CDATA[<p><img src="http://urbeingrecorded.com/images/goatsgreenroof.jpg"></p>
<p>It&#8217;s a wide-ranging discussion around technologies and their impacts on culture, consciousness, the species, and what may become of our futures. In spite of the picture above, there is no discussion of advanced techniques for elevated goat farming. We had to save that for a later episode.<br />
<a href="http://www.alterati.com/gspot/gspot_chrisarkenberg.mp3">G-Spot interviews Chris Arkenberg</a>.</p>
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		<title>The Co-Evolution of Neuroscience &amp; Computation</title>
		<link>http://www.urbeingrecorded.com/news/2009/09/01/the-co-evolution-of-neuroscience-computation/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/09/01/the-co-evolution-of-neuroscience-computation/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 20:13:57 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[cool tech]]></category>
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		<category><![CDATA[ghost in the machine]]></category>
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		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=684</guid>
		<description><![CDATA[Image from Wired Magazine. [Cross-posted from Signtific Lab.] Researchers at VU&#160;University Medical Center in Amsterdam have applied the analytic methods of graph theory to analyze the neural networks of patients suffering from dementia. Their findings reveal that brain activity networks in dementia sufferers are much more randomized and disconnected than in typical brains. &#34;The underlying [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://urbeingrecorded.com/images/augcogsm.jpg"><br />
<i>Image from <a href="http://www.wired.com/dangerroom/2008/03/augcog-continue/">Wired Magazine</a>.</i></p>
<p>[Cross-posted from <a href="http://www.signtific.org/en/signals/co-evolution-neuroscience-computation">Signtific Lab</a>.]</p>
<p><a href="http://www.sciencedaily.com/releases/2009/08/090820204454.htm">Researchers at VU&nbsp;University Medical Center</a> in Amsterdam have applied the analytic methods of graph theory to analyze the neural networks of patients suffering from dementia. Their findings reveal that brain activity networks in dementia sufferers are much more randomized and disconnected than in typical brains. &quot;The underlying idea is that cognitive dysfunction can be illustrated by, and perhaps even explained by, a disturbed functional organization of the whole brain network&quot;, said lead researcher Willem de Haan.</p>
<p>Of perhaps deeper significance, this work shows the application of network analysis algorithms to the understanding of neurophysiology and mind, suggesting a similarity in functioning between computational networks and neural networks. Indeed, the research highlights the increasing feedback between computational models and neural models. As we learn more about brain structure &amp;&nbsp;functioning, these understandings translate into better computational models. As computation is increasingly able to model brain systems, we come to understand their physiology more completely. The two modalities are co-evolving.</p>
<p>The interdependence of the two fields has been most recently illustrated with the announcement of the <a href="http://news.bbc.co.uk/2/hi/technology/8164060.stm">Blue Brain Project</a> which aims to simulate a human brain within 10 years. This ambitious project will inevitably drive advanced research &amp; development in imaging technologies to reveal the structural complexities of the brain which will, in turn, yield roadmaps towards designing better computational structures. This convergence of computer science and neuroscience is laying the foundation for an integrative language of brain computer interface. As the two sciences get closer and closer to each other, they will inevitably interact more directly and powerfully, as each domain adds value to the other and the barriers to integration erode.</p>
<p>This feedback loop between computation and cognition is ultimately bringing the power of programming to our brains and bodies. The ability to create programmatic objects capable of executing tasks on our behalf has radically altered the way we extend our functionality by dematerializing technologies into more efficient, flexible, &amp;&nbsp;powerful virtual domains. This shift&nbsp; has brought an unprecedented ability to iterate information and construct hyper-technical objects. The sheer adaptive power of these technologies underwrites the imperative towards programming our bodies, enabling us to excercies unprecedented levels of control and augmnetation over our physical form, and further reveal the fabric of mind.</p>
<p>&nbsp;</p>
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		<title>The Transhuman Gap</title>
		<link>http://www.urbeingrecorded.com/news/2009/08/14/the-transhuman-gap/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/08/14/the-transhuman-gap/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 21:54:40 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[futures]]></category>
		<category><![CDATA[ghost in the machine]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[neotropes]]></category>
		<category><![CDATA[remix culture]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=647</guid>
		<description><![CDATA[[Cross-posted from Signtific Lab.] While most would support using technology to allow parapalegics to walk again, to help the blind to see and the deaf to hear, how will society view those who electively enhance themselves through prosthetics &#038; implants? Consider the not-so-subtle marginalization of transhumanists who believe that technology should be readily integrated into [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://urbeingrecorded.com/images/TRANSHUMAN.jpg" width=525></p>
<p>[Cross-posted from <a href="http://signtific.org/en/signals/transhuman-gap">Signtific Lab</a>.]</p>
<p>While most would support using technology to allow parapalegics to walk again, to help the blind to see and the deaf to hear, how will society view those who electively enhance themselves through prosthetics &#038; implants?</p>
<p>Consider the not-so-subtle marginalization of transhumanists who believe that technology should be readily integrated into human biology, experimenting with their own crude body modifications. Or the implications around personal security and privacy (not to mention religious fear) raised by those intrepid folks who are self-implanting RFIDs into their forearms to activate lighting &#038; appliances when they enter their homes. Even the international debates over performance-enhancing drug use by athletes reinforces the cultural belief that a &#8220;natural&#8221; baseline range exists for human abilities and any &#8220;synthetic&#8221; modification beyond the accepted range is considered unfair.</p>
<p>From issues of fairness to those of security and trust, integrating more machinery into a programmable nervous system challenges many of the fundamental notions we have of what it means to be human. When a Marine returns from a warzone patched up with a cochlear implant, how will they be regarded when it&#8217;s revealed that they can hear you speaking from 3 blocks away? Imagine if that person then enters the Police force, what issues of civil liberty and privacy might be confronted? How might we regard an employer that suggests each employee be programmed with software to bring them into the corporate Thinkmesh?</p>
<p>How does society&#8217;s regard for a technology change when that technology becomes part of our bodies? How does our relationship to people change if we know they are different? What competitive advantages are conferred by these technologies and how will they be reinforced by socioeconomic drivers? What gaps might arise between those able to afford augmentations and those who cannot?</p>
<p>And what becomes of the Platonic sense of one fundamental Reality when more &#038; more people are seeing personalized variations of the world mediated by connected devices? Will the merging of technology &#038; flesh enable a more cohesive &#038; effective society or a more fragmented and divisive one?</p>
<p>Thus far humans have worked from a standard body map that allows us to understand ourselves and project that understanding onto all other classes of our species. We will likely bring both our sense of membership as well as our fear of otherness with us as we begin to internalize machines unevenly across cultures.</p>
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		<title>Reflections on Thailand</title>
		<link>http://www.urbeingrecorded.com/news/2009/07/12/reflections-on-thailand/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/07/12/reflections-on-thailand/#comments</comments>
		<pubDate>Sun, 12 Jul 2009 17:47:13 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[interface]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[remix culture]]></category>
		<category><![CDATA[virtual life]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=601</guid>
		<description><![CDATA[[Extensive photo album here.] Japan crossed with Mexico. Hack, mash, and lash everything together. Very hot and thick, humid and prone to short heavy rains. Bangkok is larger than expected, with a higher skyline. Slum-like in many ways but comfortable. Dirty, aged, grafitti&#8217;d, tagged, polluted, smelly, hungry, buggy, feral. Friendly, smiley, reverent, strong, spiritualized, watery, [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok.jpg" width=500></p>
<p>[Extensive photo album <a href="http://urbeingrecorded.com/photos/Thailand09/index.html">here</a>.]</p>
<p>Japan crossed with Mexico. Hack, mash, and lash everything together. Very hot and thick, humid and prone to short heavy rains. Bangkok is larger than expected, with a higher skyline. Slum-like in many ways but comfortable. Dirty, aged, grafitti&#8217;d, tagged, polluted, smelly, hungry, buggy, feral. Friendly, smiley, reverent, strong, spiritualized, watery, creative, delicious, surviving with tenacity. Temples &#038; tenements, luxury hotels and megamalls. Insane traffic and transport. Little regard for lanes or right of way. Swarms of motorbikes, vespas. Cheap and dangerous tuk tuk 3-wheelers. Families piled onto scooters, kids asleep, baggage strapped on. Traffic flow like a logjam, shifting metal slabs moving within inches of each other, victory goes to the bold in a cloud of exhaust. The mighty Chao Phraya cutting its way through Bangkok and out to the coast, it&#8217;s headlands in the foothills below Burma. These are river people, with traffic on the waterways as busy and chaotic as the streets. The river is deep, a 1/4 mile wide, running green &#038; tan, dirty and littered with commercial &#038; vegetal detritus. After the rains clumps of fallen jungle float on its surface, carried down from farms and foothill tributaries. Black &#038; yellow birds land on leafy branches half submerged to dine on nuts and berries. Water taxis from hotel to Sky Train. Fantastic monorail, the SRT, its cement track a modern work of civil engineering adding to the Tokyo vibe of downtown Bangkok.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok4.jpg" width=500></p>
<p>Tangled mess of black utility cable slashing horizontal lines across most everything, tied in to huge transformers, burnt metal grills pumping amperage for the teeming metropolis of 6 million. The twisted infrastructure grows organically like a banyan, stretching out axonal to connect and communicate. Most buildings are old haggard tenements, their facades stained with a dark grey wash like grease and ash drawn out of the thick air. Structures that seem abandoned, uninhabitable, are strung with drying laundry drawn perpendicular to the necessarily ubiquitous swamp coolers lining the sides of each floor. Broken concrete fields under freeway overpasses offer football grounds lined by graffiti mural walls under chainlink divisions. </p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok3.jpg" width=500></p>
<p>Downtown, luxury malls with Louis Vuitton and Burberry fronted by large altars of golden Buddha&#8217;s and Ganesha&#8217;s, black marble elephants flecked with gold, yellow floral garlands and incense offered by shoppers to their immaterial gods. A sign at Wat Phrao Keo in broken Thaiglish sagely, if not inadvertently, warns visitors to &#8220;Beware of your valuable possessions&#8221;. Technology, commerce, wealth, and western aesthetics have moved in with the economic development afforded here as in every other large city by the realities of globalized communication and trade.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Bangkok1.jpg" width=500></p>
<p>Down crowded alleyways lined with merchant stalls and open air ad hoc kitchens, thick with pedestrians, cars, tuk tuks, and manic motorcyclists weaving through the narrow channels, over rooftop patios caged against some unseen menace, rise countless golden and white and glittery temple spires. Buddhist Wats take residence everywhere, themselves seemingly hacked into the dense fabric of the city, rising like aspirational fruiting bodies of ancient mycelial webs. Wat Arum, Wat Pho, Wat Phra Keo &#038; the Grand Palace, and innumerable others. Religion &#038; myth is woven throughout the populace. Every building has it&#8217;s own adjacent spirit house offering residence to the disincarnate lest they move into your own home. City walls are tacked with incense holders between stores. Banyans breaking through the sidewalks are wrapped with rainbow sashes honoring their freakish holy treeness. Every taxi has a statue on the dash or mala hanging from the rearview or Buddhist stencil on the headboard or any combination of the aforementioned. A 3-day Buddhist holiday shut down all government and banking.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokTemple.jpg" width=500></p>
<p>The current Thai king is the longest reigning monarch of the modern age, holding office since 1950. Thailand was the only East-Asian country to resist British colonialism, sparing its autonomy by ceding a few bits of territory along the Burmese &#038; Malay borders. Indeed there are long running conflicts with the Burmese, and Buddhist Thailand is in the midst of an insurgency along the Malaysian border from an advancing Islamic populace. The cabinet of the prime minister and the military have provided ongoing political theater as each vie back and forth for the seat of power. Most transfers of power, even in the case of multiple coups, have been bloodless. The Thai people themselves seem to have little interest in these power games, preferring a life of pragmatic spirituality while maintaining a deep abiding love and respect for the king. The two possibly mortal social offenses in Thai society are speaking ill of the Buddha and speaking ill of the king.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokRailay.jpg" width=500></p>
<p>Farming is honored. Rubber trees and palms cover most southern land, providing two of the country&#8217;s largest exports. The Thai peninsula includes all the most breathtaking exotic tropical beach locations you could imagine, including the stunning Railay Bay &#8211; famed for the movie The Beach. Beautiful light blue waters, ridiculously warm and salty, stretched for ages across the gulf. Koh Samui running on Full Moon inertia, tourist trinkets, and scattered luxury resorts sheltered from the hustle. Low inland jungles bring minimal shade to island shanties in seemingly impossible poverty. Yet they survive &#038; persist and move through generations like the rest of us. Koh Phangan also still milking their internationally notorious Full Moon Rave scene, adding a Half Moon party to underwrite the Euro draw. Even away from the main strips the beach scenes has a fun accidental Burning Man vibe, a shoreline esplanade of shanty bars and sound systems. Expats all over the place. Seems easy to get lost for months, years, decades in some seaside shack eating fruit and fish in a poor man&#8217;s paradise. Impossible walls of insects whip up into sudden frenzy, a cacophonous wail of screamapillars, giant cicadas that still don&#8217;t seem anywhere near big enough to make such a pitch. Monkey troops swing across canopies carpeting tall rock slabs jutting from the water. A rock climber&#8217;s joy, sheer faces hung with dripping stalactites and pocked with rope tie-ins. These tall rocks are scattered by the hundreds &#8211; thousands? &#8211; across the Gulf of Thailand and Andaman Sea. A boater&#8217;s paradise. You could spend months exploring thin beaches stretched around the edges of countless small jungle rock islands.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BeachScene.jpg" width=500></p>
<p>In the South, each night was attended by thunderstorm, often over sea or above the island peaks. Big black charcoal canvas lumbering across, flicker flashed with lightning bursts every few moments, often too distant to hear the thunderclap, then a sudden ear-shattering rend of ozone right above. When the heavy rains hit they come quickly and with ferocity. Never seen rain like it. So thick that it occluded line of sight to 20 meters or so, hiding everything beyond in watery showers. From the steep island peaks water rushes down in sudden rivers cutting through beach sands, pushing tan clouds out into the bay, a shimmering clear layer of fresh water forcing the saline back out over the ocean&#8217;s surface. Giant raindrops agitate the bugs forcing them to take flight in peppery swarms. Small opportunistic swift-like birds take to the skies darting and arching, turning and diving to pluck the insects mid-air in some ancient deeply programmed ballet of the food chain. Life goes on. It must. When rains come often and fiercely you can&#8217;t just drop your business. This was especially so in Bangkok whose streets are lined with tirelessly deployed open markets bare to the sky save for a small canvas over each. In 20 or 30 minutes the rain will likely pass so there&#8217;s no point in worrying much about the interlude.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/Cinatown.jpg" width=500></p>
<p>While the deep south is struggling with a mounting Islamic insurgency, and the peninsula is attending the construction of more new mosques, the buddhist majority continues to permeate life with the spirit of their patron, accompanied by a host of Garuda and Nagas and a menagerie of mythic beasties syncretized from India and China. If Thai Buddhist Bangkok is feral and lashed and relentlessly modded in ghetto slapdash, the Bangkok Chinatown is 10x more so compressed into tighter alleyways, with more people and motorcylces (Vespas apparently seek Chinatown to live out their golden years), hung with impossibly more spaghetti cables, and festooned with walls of neon Mandarin signage casting a little too much light onto freakish displays of animal carcass and presumably inedible seafood and giant transparent sacks of fried pork product and stall after stall of fashionable Versace &#038; Loius Vuitton knock-offs. Imagine threading your way down a dark, narrow alley lined with flea market stalls and no-health-code/no-insurance open air cart kitchens, filled with people pressing in all directions through dense heat and smell and rot, then send a motorcycle down the alley every few moments to do battle with cross-traffic carts and tuk tuks. Now imagine the alley is a whole network labyrinth covering multiple blocks between several-story tenaments streaked with black soot and stain and hung with drying clothes and black cables. This is why we western pansies stay in the nice hotel with A/C and a pool.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokChinatown.jpg" width=500></p>
<p>The final capper to the trip was in Bangkok the night before our departure. After the evening rains subsided, my partner and I went down to the pool for a night swim, around 9pm. Refreshing and fun we frolicked and generally soaked up the remaining moments of our stay. Then, in the poolside darkness moving low between the lounge chairs, I saw a large reptilian form lumbering along. &#8220;Dude, there&#8217;s a fricken alligator coming towards the pool!&#8221; I exclaimed excitedly. As it marched into the light we realized it was actually a monitor lizard &#8211; Varanus salvator, to be precise &#8211; about 5-6ft long with a fattened belly like it just ate a dog or possibly a small European child. &#8220;If that thing gets in the water, we get out immediately&#8221; I said with some urgency. I knew it could swim and see underwater much better than we could. No reason to tangle with a 6ft thunderlizard in a foreign country with questionable health care. Sure enough the beast slipped into the pool and sidled along the swim-up bar. We hopped out, laughing nervously, and I approached the lizard from a careful distance. Grabbing the pool attendant I motioned towards the monster. &#8220;That&#8217;s bad&#8221;, he said in a way that suggested that, bad as it may be, it wasn&#8217;t unusual. And so he casually splashed the creature with water nudging it along until it climbed out of the pool slowly, begrudgingly, made it&#8217;s way back into the riverside brush. It was easily the biggest lizard I&#8217;d ever seen in the wild.</p>
<p>The final day we were denied pool access during a particularly solid rain. When it&#8217;s always 90+ degrees &#038; 90+% humidity, swimming in the rain is quite nice. But no, we were not allowed. &#8220;Why?&#8221; I protested. &#8220;Lightning&#8221; retorted the attendant. Fair enough, I thought. Then, in a casual but cautionary aside, the attendant reflected, &#8220;We had an accident last year&#8221;. This is the Bangkok Riverside Marriott, a fancy if not dated family hotel. Apparently buried somewhere deep in the boilerplate legalese fine print of our hotel contract is the clause, &#8220;Marriott Properties takes no liability in the event of any hotel guest or visitor getting suddenly struck by lightning and then slowly eaten by ferocious monitor lizards&#8221;.</p>
<p><img src="http://urbeingrecorded.com/photos/Thailand09/BangkokRiver.jpg" width=500></p>
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		<title>Las Vegas Tweet Round-Up</title>
		<link>http://www.urbeingrecorded.com/news/2009/05/21/las-vegas-tweet-round-up/</link>
		<comments>http://www.urbeingrecorded.com/news/2009/05/21/las-vegas-tweet-round-up/#comments</comments>
		<pubDate>Thu, 21 May 2009 20:35:33 +0000</pubDate>
		<dc:creator>chris arkenberg</dc:creator>
				<category><![CDATA[ape dynamics]]></category>
		<category><![CDATA[creations]]></category>
		<category><![CDATA[mobile nets]]></category>
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		<category><![CDATA[vegas]]></category>

		<guid isPermaLink="false">http://www.urbeingrecorded.com/news/?p=558</guid>
		<description><![CDATA[I stayed in Las Vegas for a few nights this week to see Jane&#8217;s Addiction at The Pearl. A large part of me loathes much of what Vegas is (and by &#8220;Vegas&#8221; I&#8217;m mainly referring to The Strip and its satellites &#8211; no offense to the folks who live in the city) yet I can&#8217;t [...]]]></description>
			<content:encoded><![CDATA[<p><center><img src="http://s3.amazonaws.com/twitpic/photos/full/9092736.jpg?AWSAccessKeyId=0ZRYP5X5F6FSMBCCSE82&#038;Expires=1242978815&#038;Signature=L%2Bd0oaMhmuHBrswnQoja0wPhsSQ%3D" width=400></center></p>
<p>I stayed in Las Vegas for a few nights this week to see Jane&#8217;s Addiction at The Pearl. A large part of me loathes much of what Vegas is (and by &#8220;Vegas&#8221; I&#8217;m mainly referring to The Strip and its satellites &#8211; no offense to the folks who live in the city) yet I can&#8217;t help but be mesmerized and amazed at the sheer scale of fantasy on sale there in the wasteland of the Nevada high desert. It is by all accounts an impossible mirage, timeless and ephemeral, drawing in the seekers, fleecing them, and sending them back home like it never existed. Inevitably, it seems it will fall back into the desert as Lake Meade dries up and the drought deepens, leaving behind skeletons of a once mighty empire. Caesar&#8217;s Palace may retain it&#8217;s name but Nero is the ruler of today&#8217;s Vegas. </p>
<p>Anyway, here are <a href="http://twitter.com/chris23">my tweets</a> from the trip, in chronological order:</p>
<p>- Heading off to Sin City for glittering nights &#038; saltine days before it all dries up &#038; blows away. #NIN/JA2009 New Aeon Rat Pack <em>8:55 AM May 17th</em><br />
- Have successfully played my role as cattle/combatant/customer in SanJoseAirport security theater. Now matriculated to cargo. <em>10:22 AM May 17th </em><br />
- Tarmac running to the jetwash mirage of Las Vegas. <em>12:06 PM May 17th</em><br />
- Vegas directs its formidable will at constantly maintaining the illusion of plenty. Super Size everything while the desert bides its time&#8230; <em>4:41 PM May 17th </em><br />
- Vegas, in a nutshell: <a href="http://twitpic.com/5ew00">http://twitpic.com/5ew00</a> <em>10:21 PM May 17th</em><br />
- everything about this city is designed to separate me from my money. call me the mark. <em>12:29 AM May 18th</em><br />
- Vegas commodifies dreams and the easy score, selling back crumbs at criminal markups, preying on mammon &#038; ruin. <em>12:02 PM May 18th </em><br />
- A sign of my age: hoping to trade my #NIN/JA floor tickets for seats. <em>1:13 PM May 18th</em><br />
- Little fluffy clouds march relentlessly across the ancient Nevada desert as spacemen floating high above tweet us thermospheric thoughts. <em>1:45 PM May 18th</em><br />
- As growth stalls, Vegas withdraws into the strip to focus on sustaining the mirage. The illusion thrives at the expense of the sprawl. <em>2:35 PM May 18th </em><br />
- Recent NPR story spoke of tracts of abandoned LV tenaments haunted by erratic chirpings: the sound of fire detectors with dying batteries. <em>2:40 PM May 18th</em><br />
- About 2M people inhabit Las Vegas. Nellis AFB brought federal stimulus; the mob &#038; Howard Hughes built The Strip. <em>5:19 PM May 18th</em><br />
- Deserts are like seas, vast &#038; deep. In this The Strip is a glowing lure above the gaping maw of a dark desert angler. <em>5:25 PM May 18th </em><br />
- You think you&#8217;re about to score a nice meal but really you are the prey about to feed something much larger. <em>5:26 PM May 18th </em><br />
- got tix sorted. now heading to The Pearl for NIN/JA with @jingleyfish &#038; friends. w00t!<em> 7:28 PM May 18th</em><br />
- Goddamn i love Jane&#8217;s Addiction <em>12:31 AM May 19th</em><br />
- crawling the vegas strip with the good dr <em>1:17 AM May 19th</em><br />
- new dreams waking with the sun on the fiery vegas strip, raging towards another night <em>5:49 AM May 19th </em><br />
- ack. marinating in ambient cigarette smoke on the casino floor. <em>4:31 PM May 19th </em><br />
- your trowelled-on cake facade masks the withering age of dessicated bones, too long standing on sore heels to hawk &#038; bark a distant fantasy <em>4:37 PM May 19th </em><br />
- Ruminating w/ @jingleyfish about the resource usage profile of the Vegas strip. How much does this desert fantasy consume? Is it a threat? <em>5:52 PM May 19th</em><br />
- To paraphrase the bubbling hatery, is Vegas a &#8220;cankar needing to be excised&#8221;? Carbon tax would likely crush phallic wavings of Wynn et al. <em>5:56 PM May 19th</em><br />
- sleepless pineal cascade, flush with endogenous indole, wondering if im really still stuck in this airport <em>7:27 PM May 19th </em><br />
- on the ground rolling back to santa cruz. crowd-induced stabby mysanthropy subsiding. actual sleep nigh iminent. <em>10:24 PM May 19th</em></p>
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